punch me in.

New bong, new beats, new music. 

Time 2 record.

"What Doesn't Kill You..." 

Coming very VERY soon!

the 1st of many.

My dumb ass just realized something. I never released that video yesterday. I will later 2day. I'm sorry. I'm an idiot. 🐣 #StonerProblems
— Tubby (@TubbyBlog) June 3, 2013

Here's the video I've been talkin about. Featuring footage from the Yelawolf show (4/5/13). Produced by Vasco Vea (Illaska.com/907 Nite Life) 

Expect more TubbLife videos by Vasco in the near future. This is the 1st of many to come. Trust me. 

S/o to Vas for the video and Hellen & Robinson with Goodfellas Productions for puttin on the show!

K.nowledge R.eigns S.upreme O.ver N.early E.veryone

Born Sinner. June 18th. You know. 

Gucci Falls

This motherfucka here, yo... smh.

(There's no news/gossip/info for this blog, I just had to post this fuckin picture for archival purposes, ha.)

Cam'ron: 1, Kanye: big fat ZERO

This is the final cover to Kanye's upcoming "Yeezus" album. No artwork, not booklet, just this & a tracklisting on the backside. Even Jesus would say that shit is hella lame, bro.

However, THIS cover right here is ill (even though it looks like it was made by a 7th grader) and if i saw Kanye's album and this on the shelves & could only buy 1, I'm going with this guy...

Thaaaaat's right, bitch ass bitches! Killa Season is upon us again! New Cam mixtape dropping this summer! Ahhh shit son! Dipset!

New shit from New York

NEW joints from Jadakiss & Fabolous off their upcoming projects "Top 5, Dead or Alive" & "Loso's Way 2" 

Asian girls & Harry Fraud beats? Sold.

June 11th, motherfuckers!!!!!!

Tracklisting:

1. 72 Virgins

2. Triple Backflip

3. No Time

4. The Rockers (Feat. Wiz Khalifa)

5. Strictly 4 My Jeeps (Click this link, faggot!)

6. Alligator

7. Seven Series Triplets (Feat. Prodigy & Raekwon)

Real or fake? (Nerd talk)

Authentic? *Kanye Shrug*

#MusicBloggerNerdTalk in 5, 4, 3, 2, 1...

Most tracklistings that "leak" on to the internets are usually fake, this however, looks real (the features, the production credits, most of which have been talked about on the blogs over the last couple weeks) however some (Elliot) are saying it's not. I'd be willing to bet a majority of those tracks will be on the album. We'll see. 

Drake tracklist isn't real, kids. Enjoy your Memorial Day!
— Elliott Wilson (@ElliottWilson) May 27, 2013

There is still no release date for "Nothing Was The Same"

Related:

"Haaaaan!" (French Montana voice)

"Where Brooklyn At!?" - B.I.G

New Joey Badass cut (produced by Statik Selektah) off his upcoming EP "Summer Knights"

Note: Back in 2002, I lived in Brooklyn (Park Slope) for several months and used to go jogging in that exact park pictured on Joey's cover. I need to go back soon. Felt like sharing that. :)

Tracklist

Hov's "Decoded" gets re-released on paperback November 1st with 3 new songs. Here's an excerpt from the paperback. Every true Jay-Z fan should have already copped the original and read that shit 3 times over, but that's just this nerd's opinion. 

Let me go back to the beginning: I sat in my studio one night at the start of the process of writing this book, trying to decide which songs to include. Throughout the night, different people came through the studio, including some of the people I’ve worked with closest throughout my career—my engineer, Young Guru; Memphis Bleek; Pharrell; Steve Stoute; dream hampton; and others. I was taking a break from finishing up the Blueprint 3 album, and hung out there for hours while people came and went, playing songs and telling stories, some of which made it into this book. Memphis Bleek told his side of the story of how we worked together on “Coming of Age,” Young Guru remembered that moving moment when Scarface rewrote his verses for “This Can’t Be Life,” Steve told us about how young corporate guys he knew were psyching themselves up for business meetings by listening to “Public Service Announcement” (and dream remembered the Dave Chappelle “When ‘Keeping It Real’ Goes Wrong” bit where a character did the same thing and got fired). 

I loved talking about the stories behind the songs, but as we were listening to the songs that night I found myself drawn over and over again to the words—the metaphors and rhythms and structural choices, not the gossip behind the songs. It was the little things that got me nodding my head, lost in the songs like I was hearing them for the first time. For instance, at one point Guru cued up “What We Do,” a song by Freeway with me and Beanie Sigel on it, and set it rumbling through the studio. In an instant, I was lost in Freeway’s remarkable flow. Do yourself a favor and listen to the first verse of that song, where Free ends every bar with some variation of the word “up” or “down.” It’s a simple thing, but the flow it creates is mesmerizing. I was still in the studio, but I was gone. That, I thought, is what an MC in the zone can do—turn language as simple as “up” and “down” into a magic spell.